Eternal sunshine of the spotless mind review
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That's not to say that there's no non-verbal connection between stars Jim Carrey and Kate Winslet merely that the success of Eternal Sunshine of the Spotless Mind does not rely upon it. Without being too offbeat or esoteric, Eternal Sunshine of the Spotless Mind nevertheless manages to convey romance without forcing the mind to shift into neutral or dragging the characters through a formulaic structure where chemistry becomes the most important asset. That's precisely what director Michel Gondry, working from a screenplay by Charlie Kaufman ( Being John Malkovich, Adapatation), delivers. If Freud were alive, he’d probably have been the one making this recommendation, but for now, you should take my word for it – if you have ever been in love, you will absolutely love Eternal Sunshine.A unique romantic comedy, unfettered by the normal expectations of the genre, is a rare and wondrous thing. He is instantly disarming, and Kate Winslet ( The Reader, Little Children) brings a vivacity that is infectious. The measure with which Carrey plays Joel is starkly at odds with his otherwise over-the-top filmography ( The Mask, Dumb and Dumber). Elijah Wood ( Lord of the Rings) plays a stalker with a charming innocence and Kirsten Dunst ( Melancholia, Spiderman) is effortlessly convincing as a young woman in love with her boss.īut the real performances you must watch this film for are those of the two protagonists. Mark Ruffalo ( Spotlight, Shutter Island) is brilliant as the firm’s bumbling technician. Tom Wilkinson ( Shakespeare in Love, Michael Clayton) deftly plays Lacuna’s chief.
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Seen together, the supporting cast of Eternal Sunshine could instantly make any film a blockbuster. Seen together, the supporting cast of Eternal Sunshine, including Tom Wilkinson, Mark Ruffalo, Elijah Wood and Kirsten Dunst, could instantly make any film a blockbuster For all of Lacuna Inc’s efforts, a complete erasure remains impossible. Joel takes her back to a moment when his mother was bathing him in the kitchen sink. As Clementine and Joel snuggle under a blanket, she tells him how she thinks she is ugly. We offer our partners a window into our fears, our humiliation. The question it asks is outstandingly simple – if you get a chance to forget a lover, would you take it? A relationship, Eternal Sunshine suggests, is all about access. Strangely, though, the film, despite its jumps between past and present, is never confusing. Director Michel Gondry ( The Science of Sleep, Be Kind Rewind) presses play, rewind, fast forward, pause and stop all together. Few scripts written by Charlie Kaufman ( Being John Malkovich, Adaptation) seldom are. Nothing about Eternal Sunshine is linear. The question the film asks is outstandingly simple – if you get a chance to forget a lover, would you take it? Love, in the end, really seems nothing more than a sum of ordinary experience. We see him invent constellations for Clementine, play dead for her. We first see Joel’s head hooked up to a strange contraption and we’re then given a peek inside. All they have to do is enter your mind and hit delete. Their remembrance of togetherness had been erased when they signed up with Lacuna Inc, a firm which allows you to forget the nagging trauma of loss.
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They had been in a relationship for two years. As it turns out, the encounter on the train wasn’t the first time Joel and Clementine had met. Subversion, however, waits around the corner. He calls her the minute he gets home and she asks endearingly, “What took you so long?” So far, so typical.Įternal Sunshine starts the way any romantic comedy ought to – with possibility. They drink while listening to Lata’s ‘Wada Na Tod’ and Rafi’s ‘Mera Man Tera Pyasa’. Joel finally gets over himself and offers Clementine a ride. She punches Joel while talking to him and their conversation is exquisite in its awkwardness. And then, in keeping with familiar cinematic tropes, he meets a stranger on a train.Ĭlementine Kruczynski (Kate Winslet) is everything Joel is not. Played by Jim Carrey, Joel Barish is withdrawn, alone and reticent to engage with the world. Valentine’s Day is “a holiday invented by greeting card companies to make people feel like crap.” Eternal Sunshine of the Spotless Mind begins with such pessimism.